Levels listed...
TEN - 11
TR5 - 33
TR4 - 3197
TR3 - 184
TR2 - 142
TR1 - 69
74331 reviews (20.4/level)
3624 (99.7%) walkthroughs
464 Hall of Fame levels
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release date: |
03-Jan-2023 |
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# of downloads: |
383 |
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average rating: |
5.92 |
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review count: |
12 |
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review this level |
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file size: |
64.60 MB |
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file type: |
TR2 |
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class: |
Ship |
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| Reviewer's comments |
"Obscure title notwithstanding, this is a neat, unpretentious and unapologetic TR2 shooter. It’s off to a slow start, which sees you collecting ammo in a few otherwise empty rooms that are rather large and nondescript, but it quickly gathers momentum and builds up to a finale in which you confront an opponent you may not necessarily have expected in this environment. In fact, several of the enemies the builder chose to employ don’t fit in with the setting all that well, but the level isn’t overly sophisticated and doesn’t take itself too seriously, so I won’t complain about it too loudly. For the same reason, I won’t launch an in-depth inquiry into the precise nature of the setting (rig? ship? factory?): immersion in a reality-adjacent environment clearly wasn’t what the builder was aiming for. The level takes place in an “Offshore Rig”-type setting, that’s what the builder was concerned about, and that’s all there is to it.
The texture set has been augmented by some imported rust from the ‘Maria Doria’ levels, which adds some welcome variety, but like nerdfury, I draw the line at stained-glass ceilings. Texturing is generally serviceable, but the large size of the rooms draws attention to the wallpapering that’s going on, and if they’re tall, textures tend to be stretched to an extreme degree. (I know this doesn’t need to be the case in TR2 because I’ve played Vinci’s Bounce Pad Demo.) The rooms remain rather large throughout and often lack defining characteristics. When props are used, they’re fitting and the result is decent, but many rooms don’t have any in them. Also, more could have been done with lighting to make the thing look less flat and more 3-D. The builder does this in some places, but not in others. The SFX, on the hand, are all present and correct, and audio has been put to good use as well.
Unlike with some of the enemies, there are no surprises in the traps department: you get your oil drums and your glass shards just as you would expect, plus some malfunctioning cranes, which are featured in the more extended of two platforming sequences. In the other, which focuses on slope-hopping, the builder briefly uses a fixed camera, which I assume was meant to be helpful, but which made it difficult to assess how far you need to swerve in order to land on top of a flat pillar, which will likely result in unnecessary deaths. (Tolle87 found a way to skip these platforming sequences. He is correct, also in that they account for a large chunk of the level, though 70% is a bit of an exaggeration.) Another unnecessary death is the result of a spike pit covered by trapdoors which are indistinguishable from the rest of the surrounding floor, so it’s essentially a cluster of unmarked death tiles.
In the immediate aftermath of one oil drum stampede follows what I consider the level’s toughest battle. It pitches you at close range against two bat-wielding thugs and another two with shotguns, plus the only flamethrower guy in the level; the oil drums get in your way when you attempt to back off, and there’s a spike pit in your back as well (the one that caused an unnecessary death immediately prior to this battle). It occurs about halfway into the level, at a point when the only additional weapon you’ve acquired is the harpoon gun. This causes an imbalance in the level’s dramatic arc, since every subsequent fight looks easy by comparison, but it’s also what makes this particular fight a challenge. The distribution of weapons is fine by the way (the harpoon gun being a case in point), and it’s also highly unlikely that you run out of ammo.
In classic TR2 style, the level has three secrets represented by little dragons, though here finding all three rewards you with nothing but the satisfaction that you’ve found them all. Obvious though it may seem in retrospect, I missed the gold dragon the first time through due to the featureless, almost solid-colour textures and the flat lighting employed in the alcove by which you access this secret; it looks just like a flat wall unless you have a close look at it. On your way there, you pass a trapped corridor with spike pits and oil drums, which would have made for a good timed run (e. g. by adding a timed door to the alcove that leads to the secret), of which, to the relief of some players no doubt, the level doesn’t have any." - Mulf (29-Sep-2024) |
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| "I always enjoy a TR2 Ship level setting and this one does a lot of things right, but still
does not fully engage me, mainly because it is a bit bare and square in its design with
fairly empty rooms mostly, or to be more precise, rooms mostly filled with an abundance of
pickups that you really do not need and plenty of bad guys to kill. Three cards and three
secrets to find and easy to get through in about 20-30 minutes with a little bird boss
ending thrown in for you. Solid level, but probably won't stick in your mind for long." - MichaelP (10-Feb-2024) |
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| "Have to agree with Phil on this one it is not bad at all. Not perfect but an entertaining raid that will keep you occupied for around 30 minutes or so. There are pickups everywhere so you don't lack for goodies. Fairly linear so you don't get lost and wander about aimlessly for eons. Found all three secrets which are really not that difficult to find and the only one you have to work for is the first one. Boxy rooms but it is a TR2 level after all. Enjoyed the final fight." - Torry (16-Feb-2023) |
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| "(5) Gameplay & Puzzles: This is an easy adventure that took me ~20 min. The
gameplay starts off rather dull, with an overabundance of pickups, but things get more
engaging after you pick up the harpoon gun. Shortly after this, the builder mixes things
up with some spicy combat, traps, and (simple) platforming sequences. Unfortunately the
gameplay is really lacking in puzzles. (7) Enemies, Objects & Secrets: The enemy
encounters were my favorite aspect of the game (more crazy shotgun guys, flamethrower
guys, and bladethrower guys, please). My only suggestion for improving combat is that I
would not place crates right next to the dog encounters, as the player can just jump on
the crates, which nullifies the threat. I feel like the jade dragon path is too straight-
forward and doesn't really feel like a secret. Many rooms are lacking in object decor and
this is an area that I recommend the builder focus on in the future, to build immersion
and environmental atmosphere, which brings me to -- (4) Atmosphere, Sound & Cameras:
The environment just wasn't convincing, with many oversized/empty looking rooms. I
encourage the builder to think about not only bringing rooms to life with more objects,
but also to try mixing up different room shapes, so the player doesn't have an overall
"boxy" impression. Some boxiness is to be expected since we are in a man-made environment,
of course. If the builder wishes to continue with a classic TR aesthetic, I encourage them
to take a look at some of Stormchaser's newer levels. Although he focuses on TR3 and not
TR2, his levels are still educational in terms of minimizing "boxiness" and maximizing
immersion using a classic engine. Sounds and hint cameras are adequate, although a
suggestion for the future is immersion-building camera angle changes when entering new and
important areas. (5) Lighting & Textures: The level doesn't look awful, but it
looks rather "raw". I never had to light a flare which is great, although something for
the builder to consider in the future is more dynamic lighting (i.e. more shadows in
corners and on the edges of rooms). More care is needed regarding stretched textures and
wallpapering effects on large surfaces. Also, I do not think the Maria Doria stained glass
window texture is a good fit for the environment. Overall, this is not a bad debut,
and I would recommend it to TR2 fanatics who love combat, and want a very short level. I
hope I provided constructive notes, and I am confident that for the builder's next
release, players will see elevated gameplay and atmosphere. 5/7/4/5." - nerdfury (15-Feb-2023) |
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| "Short, sweet and simple TR2 raiding in a
fairly classic Oil Rig environment. It's not
badly constructed for a debut and does have
its moments in the form of sneaky traps,
rather engaging combat sequences and the
always appreciated three dragon sequences,
but the texturing is rather plain, the rooms
are a bit too huge for their own good and it
doesn't really leave a lasting impression in
general, not helped by the sterile
atmosphere either. Not at all bad, but
probably more for die-hard TR2 fans than
anything else." - Ryan (23-Jan-2023) |
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| "I must be growing more mellow in my old age. I actually enjoyed myself immensely while
playing this TR2 level and writing a walkthrough for it. You have to be paying close
attention to get two of the secrets (the third one is duck soup), and there are enough
encounters with deadly enemies to keep the player constantly aware of conserving ammo.
There's only one flare pickup, but I finished with plenty to spare. There's nothing of
award-winning quality here, but it's definitely an entertaining raid that all players should
enjoy." - Phil (22-Jan-2023) |
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| "A rather lukewarm 20 minute TR 2 level with lots of big and uninspiredly looking rooms and IMO not a real sense of atmosphere, but also a few enjoyable fights, especially in small spaces, three okay secrets and a few easy acrobatics along a lot of running through long corridors. Expendable for the future." - manarch2 (13-Jan-2023) |
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| "DJ Full, please, allow me to quote you: "Has this retro feel of the early 90s when levels
were literally level." This must actually be the retro-est TR2 level I've played in a very
long time. Loads of complicated enemies the first time you encounter them (then, you load a
save and put an end to their misery), some simple yet interesting platforming, barrels
rolling towards you, rather grainy textures, music and sounds where they belong, some
swimming, and you really don't have to think much (which isn't so un-ok as it may seem). The
rooms could use more work. Simple, short, entertaining." - Jorge22 (12-Jan-2023) |
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| "This makes for a brief visit styled after the docks from TR2, although perhaps a bit less visually pleasing with its stretched + wallpapered textures and mostly simple, boxy rooms. It's engaging to play however, with the strongest emphasis being on the combat, with a nice variety of enemies to overcome. There's also a bit of platforming and some traps to dodge on the way to finding a couple of keycards. Not a TR2 level that's going to make a big splash, but it makes for a decent if short raid. 29 minutes." - JesseG (10-Jan-2023) |
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| "Has this retro feel of the early 90s when levels were literally level. Uses some proper lighting so it's enjoyable despite of basic shapes and textures. Nice combat and secrets also." - DJ Full (08-Jan-2023) |
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| "When you can follow the builder's development process throughout the level itself, it's always a good sign. It starts in a boring way with some repetitive generic rooms and a bunch of fights, but it gets better as it goes on. Not much better though, but still enjoyable with some well-thought rooms and nice platforming sequences. There are some expected flaws for a debut, like totally squarish rooms, stretched textures or invisible walls in front of a door (although it came from a good intention - I appreciate going for realism by allowing the player to close the door from the other side), but it's all part of the learning process. However, there are some things that should be pointed out for the future: Random deadly trapdoors without a single clue - that's a big 'no'; Using the flames to prevent progress, but then placing the water right behind it - that's even bigger 'no', because it's easy to skip 70% of the level by running through the flames and jumping in the water. Six testers missed that, really? Apart from that, there are some little things with the usage of certain items that don't make much sense, but it's not worth mentioning in a debut level. Anyway, it's not an impressive level, but there are some details that tell me that we can expect much bigger things from Olympus Mons in the future. This one won't take you more than some 30 minutes, so it's worth checking out as there are some good things and no frustrating ones. Oh and the sweet paradox of writing "please read the readme file" inside of that exact readme file..." - Tolle87 (06-Jan-2023) |
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"So first thing I felt coming into this level, was that the level structure is extremely
unorthodox. Gigantic rooms, lots of areas to go immediately with seemingly nothing in them
but lots of pickups. And that goes for the entire level, rooms will seem gigantic, then
lead to small corridors that lead to the next big epic room. And each of these big rooms
has multiple TR2 enemies thrown at you with structuring. There is little rhyme and reason
to which enemies appear, starting with typical Offshore Rig enemies, then becoming Ship
Enemies, and suddenly you have Floating Isles Knife Throwers and then Venice shooters and
also a Talion Guardian, usually in a big room. It feels almost like Painkiller with lots
of little Battle Arenas in a way. Given Tomb Raider's hitscan shooting enemies that would
be a problem, if the level also didn't fart lots of pickups at you. Constantly. At every
turn. In corners, on enemies, in the open, under Boxes, under water and behind your ear.
And the same goes for weapons. I'd say that makes the level qualify as a nice Shooter
Stage, but I don't think you really get enough enemies, or tactical depth. But that is
okay for a first level.
A similar thing goes for the thematic cohesion, which it does not excel at. The level goes
from Offshore Rig Textures, to Ship Textures to Floating Isles aesthetic very abruptly.
And since we start in an interior, we have little idea of where we actually are. Are we in
a factory? An oil rig? A ship? Other than the texture use, we have absolutely no frame of
reference, including the overall styling of the levels. If any lesson is to be taken here
for future levels, I'd recommend looking into structuring and styling levels to mimic
realistic places. Admittedly a difficult skill to learn, given Tomb Raider's blocky
nature.
What IS done well, is the thematic escalation on the level of gameplay factors. We go from
easy switch and keycard puzzles to big combat rooms, then back to smaller jumping puzzles
and return to bigger combat areas. The combat arenas grow in difficulty each time and have
enemies from later TR2 levels. Before the end we need to collect 2 key items to enter the
main boss areas, then we have 2 boss-esque encounters and then the level ends. It's not
elegant by any means, but the base idea of difficulty structuring and thematic escalation
is there, and I'd even say it does a Boss fight better than many levels from other
creators. Again, not elegant, but the passion is there!
Overall the entire level smells strongly of someone's literal first level. Getting
comfortable with the level editor, how to place enemies and pickups, how to create
platform challenges for keycards and how to style levels. I am more than happy in looking
forward to the next levels this creator makes. Again, I'd mostly recommend working on
improving the structuring and styling of levels to make them more overall coherent.
Entering a grand gigantic room loses it's charm quickly when every room is that big. Save
huge rooms for special set pieces in a level.
Overall, thank you so much for this level. Please continue making levels ♥" - The Snarky Lesbian (05-Jan-2023) |
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